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Recording Landscapes,
Artist Herman Gesell
~ click photos to see bigger image ~
| Herman
Gesell, Landscape Artist Over a hundred years ago Herman
Gesell came to this area with a vision. Not only did he intend to clear land and farm his
portion of section 17 township 22 range 8, but he had another mission: to capture the
essence of the land, its beauty and potential. He painted nature and its creatures with
little money for materials or supplies. Some describe his work as that of a folk artist,
whose images are caught crudely on a variety of media: cereal boxes, cardboard, cedar
shakes, rocks and fungi. Others see the charm of his simple landscapes and the country he
explored.
Born in Austria in 1863, the self-taught
artist emigrated to the USA at the age of 19, making his way to British Columbia in 1886
with the construction of the CPR. Ten years later Gesell applied for a homestead on
property across the water and 8 kilometres northwest of Sicamous. Gesell received his
patent in 1912. |

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The pioneer cleared forty of the 160 acres, built a home and cultivated land,
meeting the requirements of the Dominion Land Act. The home was uniquely designed for
expansion and a source of amusement to other homesteaders. Gesell had a simple plan: when
his one room home got too small, he knocked a hole in a wall, created a doorway, and added
another room. With time, his home became a long series of rectangular rooms, each with its
own fireplace. Gesell continued to
use his acreage as a base, but took time to travel and record landscapes in his
sketchbooks. Where journalists and writers record trips with pen and paper, Gesell
recorded his journeys in oils, poster and tempura paints. Images tell of his travels to
the Badlands of North Dakota, a visit with the people of the
First Nation at Lake Pend DOrielle,
and to see his brother, social activist Sylvio Gesell, in Argentina.
Interviewed by Marg Shand in 2002, Mary-Lou
Tapson-Jones (nee Woods) remembers her old neighbour and friend. He lived on his own,
welcoming visitors, but was more comfortable in the company of his own gender. "He
didnt know what to talk about with women," says Tapson-Jones. Gesell is also
described as a recluse by some, but the reputation may have had more to do with where he
chose to live, rather than his quiet nature. |

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Herman
Gesell and his art
Self-taught artist Herman Gesell exhibits a skillful use of colours and materials,
according to local artist Joyce Dorey. Growing up in Austria, he was likely aware of
European art and influenced by the masters. Sources who were close to Gesell knew him as
an educated man with a flare for languages.
Gesells paintings are an honest approach to the landscape, showing his strong
relationship with the land, Dorey notes. He was a colourist, not afraid to use a wide
palate. Where other artists rely on the browns and greens to paint landscapes, he used all
colours.
Dorey also suggests that Herman Gesell was not a naive artist. His mixed media paintings
started with tempera paint, water based pigments bound with eggwhites. |
Then he used a white conte crayon, also known as French chalk, to enhance
features like snow peaked mountains. Each one, Dorey says, is a little jewel.Neighbours often fed the artist, knowing that he
would rather purchase painting materials than groceries. When Herman Gesell ran out of
canvas, he painted on any surface he could. Shingles, cardboard boxes, and rocks were an
opportunity to record a landscape. The artist was consumed by his need to record his
surroundings.
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Joyce Dorey is a well-known Salmon Arm artist who graduated from the Emily Carr College of
Art and Design in 1981. She works primarily in watercolours and acrylics and has lived in
Salmon Arm for 30 years. |
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